Playful recognition: Television comedy and the politics of mediated recognition

Author:

Dahl John Magnus1,Nærland Torgeir Uberg2

Affiliation:

1. MediaFutures/Department for Information Science and Media Studies University of Bergen Bergen Norway

2. Department of Information Science and Media Studies University of Bergen Bergen Norway

Abstract

Abstract This article explores how media content may facilitate processes of recognition through playfulness and comedy. Mediated recognition is typically understood as a matter of respectful and positive representation of subaltern groups and in terms of struggles for visibility and dignity. Yet at the same time, the media address audiences in much less deferential ways that are nonetheless consequential to processes of recognition: by means of playfulness, subversion, and irreverence. This article introduces the concept of ‘playful recognition’ to account for the contradictory ways in which humor can incite recognition. The article empirically illustrates this concept drawing upon a case study of Svart Humor – a comedy show aired in Norway. On the one hand, this article explores an important yet neglected dimension of mediated recognition, on the other, it introduces a recognition perspective to the study of televised comedy.

Publisher

Walter de Gruyter GmbH

Subject

Arts and Humanities (miscellaneous),Communication

Reference48 articles.

1. Andersson, M. (2000). “All five fingers are not the same”: identity work among ethnic minority youth in an urban Norwegian context. In (Vol. 1/2000). Bergen: Centre for Social Science Research, University of Bergen.

2. Bakhtin, M. M. (1968). Rabelais and his world (H. Iswolsky, Trans.). Cambridge, Massachusetts: The MIT Press.

3. Bakhtin, M. M. (1981). The dialogic imagination: four essays (Vol. no. 1). Austin: University of Texas Press.

4. Bateson, G. (1972). A theory of play and fantasy. In Steps to an ecology of mind (pp. 177–193). New York: Ballantine.

5. Billig, M. (2005). Laughter and ridicule: towards a social critique of humour. London: Sage.

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