Full Access to Cultural Spaces (FACS): Mapping and evaluating museum access services using mobile eye-tracking technology

Author:

Raffi Francesca1

Affiliation:

1. University of Macerata, Via Crescinbeni, 30/32, Macerata , Italy

Abstract

Abstract The present paper aims to present significant results stemming from the FACS (Full Access to Cultural Spaces) project, launched in 2014 by the University of Macerata and concluded in 2016. In particular, this paper reports on stages one and two of the FACS project which aimed first to explore the state of the art of universal access services across a large variety of museums in Italy and nine other EU countries. Based on the first stage, an analysis of some of the most significant data obtained from a questionnaire sent out to over 1,200 European museums will be presented, with a special focus on multilingual devices and access services for the sensory impaired. The first stage was followed by an eye-tracking study on an Italian museum, Turin’s Museo Nazionale del Cinema (National Cinema Museum), aimed at evaluating visitors’ experience, attitudes and patterns of fruition through a test with a portable eye tracker (Tobii Pro Glasses 2, 50 Hz). Based on this second stage, the fruition of information panels by museum visitors at the Museo Nazionale del Cinema will be explored, specifically focusing on reading patterns and behaviours.

Publisher

Walter de Gruyter GmbH

Subject

Literature and Literary Theory,Linguistics and Language,Language and Linguistics,Cultural Studies

Reference25 articles.

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3. Ang, I. 2005. The Predicament of Diversity: Multiculturalism in Practice at the Art Museum. London Sage.

4. Davidson, B., Heald, C.L. and Hein, G.E. 1991. “Increased Exhibit Accessibility Through Multisensory Interaction.” In Curator: The Museum Journal, vol. 34, no. 4, pp. 273-290.10.1111/j.2151-6952.1991.tb01473.x

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