Tom Thomson’s Islands, Canoe Lake, 1916: a rock as the head of a bear

Author:

Kennedy John M.1

Affiliation:

1. Department of Psychology , University of Toronto , Toronto , ON , Canada

Abstract

Abstract Tom Thomson is a doyen of Canadian art. Here, I argue one of his well-known pictures contains a hidden figure. In Thomson’s Islands, Canoe Lake, 1916, a blue-gray picture primitive richly affords a rock and a bear, a long-overlooked ambiguity, one that Thomson did not tell us he intended. Its picture primitives are contours and patches. They offer a limited set of scene primitives. A likelihood ratio of less than 1 in 100 supports the contention that the bear is a hidden figure.

Publisher

Walter de Gruyter GmbH

Subject

Linguistics and Language,Communication,Language and Linguistics

Reference24 articles.

1. Arnheim, Rudolf. 1954. Art and visual perception. Berkeley: University of California Press.

2. Arnheim, Rudolf. 1974. Art and visual perception. (Revised). Berkeley: University of California Press.

3. Attneave, Fred. 1968. Triangles as ambiguous figures. American Journal of Psychology 18. 643–662. https://doi.org/10.2307/1420645.

4. Casati, Roberto & Patrick Cavanagh. 2019. The visual world of shadows. Cambridge, MA: MIT Press.

5. Cockburn, Bruce. 2020. Islands, Canoe lake. In Ian Dejardin & Susan Milroy (eds.), A like vision: The group of seven & Tom Thomson, 64–65. Fredericton, NB: Goose Lane Editions.

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