A framework connecting vision and depiction-Reference-Cited by-同舟云学术

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A framework connecting vision and depiction

Published:2024-04-22 Issue: Volume: Page:1-16
ISSN:1350-6285
Container-title:Visual Cognition
language:en
Short-container-title:Visual Cognition

Author:

Wijntjes M.W.A.¹^ORCID,Middelkoop C. van¹²³^ORCID

Affiliation:

1. Industrial Design Engineering, Delft University of Technology, Delft, The Netherlands

2. Willem de Kooning Academy, Rotterdam University of Applied Sciences, Rotterdam, The Netherlands

3. Art History and Material Culture, University of Groningen, Groningen, The Netherlands

Funder

a Dutch Research Council

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/13506285.2024.2320762

Reference72 articles.

1. On the Use and Phenomena of Fluorescent Pigments in Paintings

2. Agnesscott.edu Describing Art. Retrieved July 2023 from https://www.agnesscott.edu/center-for-writing-and-speaking/handouts/describing-art.html

3. Alberti, L. B. (1435). On painting. Yale University Press.

4. Arnheim, R. (1974). Art and visual perception. University of California Press.

5. Atkin, A. (2022). Peirce’s theory of signs. In E. N. Zalta, & U. Nodelman (Eds.), The Stanford encyclopedia of philosophy (Fall 2022). Metaphysics Research Lab, Stanford University. https://plato.stanford.edu/archives/fall2022/entries/peirce-semiotics/

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