The contrasto : observational analysis of an extemporaneous vocal-gestural performance in Tuscany, Italy

Author:

D’Amico Leonardo1ORCID

Affiliation:

1. Department of Music, University College Cork, Cork, Ireland

Publisher

Informa UK Limited

Subject

Music,Anthropology

Reference68 articles.

1. Agamennone, Maurizio. 1986. ‘Cantar l’ottava’. In I poeti contadini, edited by Giovanni Kezich, 171–218. Roma: Bulzoni.

2. Agamennone, Maurizio, ed. 2002. ‘Modi del contrasto in ottava rima’. In Sul verso cantato. La poesia orale in una prospettiva etnomusicologica, edited by Maurizio Agamennone and Francesco Giannattasio, 163–223. Padova: Il Poligrafo.

3. Agamennone, Maurizio, ed. 2017. Cantar ottave. Per una storia culturale dell’intonazione cantata in ottava rima. Lucca: Lim.

4. Listening to North Indian Classical Music: How Embodied Ways of Listening Perform Imagined Histories and Social Class

5. Baretti, Giuseppe. 1769. An Account of the Manners and Customs of Italy: With Observations on the Mistakes of Some Travellers, with Regard to that Country. London: Davies.

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