Theatrical performance as a transnational vehicle: David Bergelson’s I Shall Not Die but Live in Mandatory Palestine-Reference-Cited by-同舟云学术

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Theatrical performance as a transnational vehicle: David Bergelson’s I Shall Not Die but Live in Mandatory Palestine

Published:2021-12-07 Issue: Volume: Page:1-24
ISSN:1468-2761
Container-title:Studies in Theatre and Performance
language:en
Short-container-title:Studies in Theatre and Performance

Author:

Zer-Zion Shelly¹

Affiliation:

1. Department of Theatre and Performance Studies, Dr. Reuven Hecht School of the Arts, University of Haifa, Haifa, Israel

Funder

Israel Science Foundation, Grant 953/17

Publisher

Informa UK Limited

Subject

Visual Arts and Performing Arts

Link

https://www.tandfonline.com/doi/pdf/10.1080/14682761.2021.2010171

Reference83 articles.

1. “Kri’at ha-yishuv ha-eretz-Yisraeli be-ozney ha-yahaut ha-rushit ha-lokhemet ve-ha-shotetet dam” [The Cry of the Yishuv in the Ears of the Fighting and Bleeding Russian Jewry].” 1941. Ha-Boker, September 28. 1.

2. “Yahadut rusia mitvada’at el akheyha [Russian Jewry Get Acquainted to Its Brethren].” 1941. Davar, August 26. 1. [Hebrew].

3. “‘Lo amut ki ekhye’ be-iton ha-itona’im [I Shall Not Die but Live in the Newspaper of the Journalists].” 1944. Al Ha-Mishmar, May 29. 4. [Hebrew].

4. “‘Lo amut ki ekhye’ nikhtav bishvil ha-bima [‘I Shall Not Die but Live’ Was Written for Habima].” 1944. Ha-Boker, 24 April. 1. [Hebrew].

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