João de Deus’s musical perversions: a case study on the music and sexuality in two films by João César Monteiro

Author:

Pinto José1ORCID,Medeiros Margarida2

Affiliation:

1. INET-md, NOVA University, Lisbon, Portugal

2. ICNOVA, NOVA University, Lisbon, Portugal

Funder

Fundação para a Ciência e a Tecnologia

Nova Instituto de Comunicação da NOVA

Instituto de Etnomusicologia - Centro de Estudos em Música e Dança

Publisher

Informa UK Limited

Reference33 articles.

1. Altman, R. 1992. ”General Introduction: Cinema as Event”. In Sound Theory, Sound Practice, 1–14. New York: Routledge.

2. Buhler, J., D. Neumeyer, R. Deemer. 2010. Hearing the Movies: Music and Sound in Film History. Oxford: Oxford University Press.

3. Chion, M. 1994. Audio-vision: Sound on Screen. Translated from the French by C. Gorbman. Columbia: Columbia University Press.

4. Clark, C., ed. 2005. The Cambridge Companion to Haydn. Cambridge and New York: Cambridge University Press.

5. Cook, N. 2000. Analysing Musical Multimedia. Oxford: Clarendon Press.

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