New Romanian Cinema, women’s self-empowerment, and hegemonic masculinity: Female figures in Cristian Mungiu’s Occident (2002) and Radu Muntean’s Boogie (2008)-Reference-Cited by-同舟云学术

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New Romanian Cinema, women’s self-empowerment, and hegemonic masculinity: Female figures in Cristian Mungiu’s Occident (2002) and Radu Muntean’s Boogie (2008)

Published:2018-10-21 Issue:1 Volume:17 Page:51-65
ISSN:1741-1548
Container-title:Studies in European Cinema
language:en
Short-container-title:Studies in European Cinema

Author:

Petrescu Mihaela¹^ORCID

Affiliation:

1. Currently independent scholar, Wexford, PA USA

Funder

No funding

Publisher

Informa UK Limited

Subject

Visual Arts and Performing Arts,Communication

Link

https://www.tandfonline.com/doi/pdf/10.1080/17411548.2018.1531501

Reference43 articles.

1. Remembering the past: Representations of women’s trauma in post-1989 Romanian cinema

2. From Communism to Capitalism

3. Power and acts of resistance in Cristian Mungiu's4 months, 3 weeks, 2 days

Cited by 2 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. BEYOND DOMESTICITY AND WOMEN’S AGENCY IN MANIPURI CINEMA: AN ANALYSIS OF FEMALE CHARACTERS IN ARIBAM SYAM’S FILM;ShodhKosh: Journal of Visual and Performing Arts;2023-11-25

2. Socialist cinema, gender, and the robot revolution: Ion Popescu Gopo’s Galax, the Doll-Man (1984) beyond Utopia and Dystopia;Studies in European Cinema;2023-07-06

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