Emergence and equivocal autonomization of a Kurdish literary field in Turkey

Author:

Scalbert-Yücel Clémence

Abstract

Drawing on field theory, this paper aims to shed light on the development and functioning of the Kurdish literary world in Turkey, characterized, in particular, by the use of a non-official language. It argues that this “small literary world” is to be understood in relation to a “double macrocosm”: the sphere of Kurdish politics and the national Turkish sphere, which provide specific constraints and resources. The paper argues that in such a context the emergence of a literary field, autonomous from other social fields and independent from political stakes, follows an unpredictable path, and will not always be achieved political dimension of the literary act stresses its dependency on political stakes and the field of politics. This however does not impede the emergence of autonomous literary institutions. The multilingualism of the actors involved drives also toward another heteronomy: this small literary world is also to be understood in relation to the Turkish literary field. The paper first presents the macrocosms in which Kurdish literary activities developed. It then examines the progressive integration of a field freeing itself from political constraints. Lastly, it focuses on the trajectories of a few writers, the analyses of which show the intertwining of the different worlds.

Publisher

Cambridge University Press (CUP)

Subject

Political Science and International Relations,History,Geography, Planning and Development

Reference65 articles.

1. Scalbert-Yücel Clémence . Conflit linguistique et champ littéraire kurde en Turquie. Ph.D. diss., U Paris 4 — Sorbonne, 2005. Print.

2. The appearance of such a generation is made possible by the hegemony of the PKK in the political sphere but also in the cultural one: an important movement grew around the PKK, hegemonic in the different spheres of the struggle — even the cultural one. One should not neglect, however, literary works produced by writers either hostile to this movement (thus refusing to publish in its journals) or from different ideological backgrounds (Islamist for instance) with different ideological-cultural institutions.

3. The Blurred Borders of Kurdish Literature in Turkey;Scalbert-Yücel;Middle Eastern Literatures,2011

4. The example of Yasar Kemal is the most significant. Though he positioned himself as a sort of godfather for Kurdish writers (and especially for Mehmed Uzun), though he also recognized his Kurdish origins and is sympathetic to the Kurdish cause, and though his works are strongly inspired (among other sources of inspiration) by Kurdish culture and regions, Kemal however clearly stated: “I am Kurd too. But I am not a Kurdish writer” (91).

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