1. Cascudo, Teresa , ‘Adesso ci vuol altra cosa: Primeros usus de los neologismos modernism y modernista en el discurso periodístico sobre música en españa (ca. 1890–1910)’, Revista de musicologia, 40 (2017), 513–42 (pp. 517–18).
2. While 1955 was a relatively radical year, the 1956 Musiktage began with a whole concert of music by Honegger, then in 1957 there was a whole concert of jazz. See Häusler, Spiegel der Neuen Musik, 440–1.
3. The study of populism is at the time of writing a flourishing area of political science, but has made little headway in musicology. Important texts summarizing common findings on populism include Margaret Canovan, The People (Cambridge and Malden, MA: Polity, 2005); Jan-Werner Müller, What Is Populism? (London: Penguin, 2017); and Cas Mudde, Populism: A Very Short Introduction (New York: Oxford University Press, 2017). An older text which remains highly relevant to the issues above is Jim McGuigan, Cultural Populism (London: Routledge, 1992), as is Catherine Liu, American Idyll: Academic Antielitism as Cultural Critique (Iowa City, IA: University of Iowa Press, 2011).
4. See Bowler, Anne , ‘Politics as Art: Italian Futurism and Fascism’, Theory and Society, 20 (1991), 763–94.
5. O'Connor, Kieran , 'Don't They Represent Us?' A Discussion between Jacques Rancière and Ernesto Laclau' (2015), (accessed 18 August 2019)