Who let the DAWs Out? The Digital in a New Generation of the Digital Audio Workstation-Reference-Cited by-同舟云学术

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Who let the DAWs Out? The Digital in a New Generation of the Digital Audio Workstation

Published:2021-10-07 Issue: Volume: Page:1-16
ISSN:0300-7766
Container-title:Popular Music and Society
language:en
Short-container-title:Popular Music and Society

Author:

Reuter Anders¹^ORCID

Affiliation:

1. Independent

Publisher

Informa UK Limited

Subject

Music,Cultural Studies

Link

https://www.tandfonline.com/doi/pdf/10.1080/03007766.2021.1972701

Reference86 articles.

1. Ubiquitous Computing

2. Dawn of the DAW

3. Bennett, Joe. “What Makes Trap … Trap?” TIDAL Magazine, 2020, https://tidal.com/magazine/article/what-makes-trap-trap/1-72722?fbclid=IwAR1VveaZIEVqbaiofeho41HXt9uKNPY3P5S9kKnwFvRTdpr3_sqzshORc-Y. Accessed 5 Oct. 2021.

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1. Use of digital audio workstations in music education to develop creative thinking and increase self-efficacy;Current Psychology;2024-05-11

2. Plataformas digitales de producción musical (DAW): innovación educativa desde la formación docente del profesorado de música;Revista Electrónica de LEEME;2023-12-04

3. All-analog photoelectronic chip for high-speed vision tasks;Nature;2023-10-25

4. Mobile Safe Spaces and Preset Emotions: Making Music with Apps as a Digital Technology of the Self;Popular Music and Society;2023-01-01

5. A Postcode-Scale Genre: Grime’s Scale as ‘Level of Resolution’;Music and the Cultural Production of Scale;2023

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