1. 9 Perf. Arts Rev. 109 (1979)
2. See, for example, this writer's views in 2 Taubman, Performing Arts Management and Law, Chapt XXV entitled “Fair Use and Infringement” wherein the writer concludes that the basis for fair use is fair comment
3. See, Seltzer, “Exemptions and Fair Use in Copyright”, Appendix E, 1935 Gentlemen's Agreement, p. 192; and Guidelines for the Use of Copyrighted Music Material, produced by the Church Music Publishers Assn, and reproduced in 9 Perf. Arts Rev. 80 (1979)
4. See 17 USC, Chapt 5, Copyright Infringement and Remedies
5. Universal v Sony, 480 F Supp 429 (C.D. Calif.) 1979