Audiophile cultures: contexts, performances and listening protocols-Reference-Cited by-同舟云学术

Audiophile cultures: contexts, performances and listening protocols

Published:2024-06-25 Issue:2 Volume:10 Page:179-200
ISSN:2055-1940
Container-title:Sound Studies
language:en
Short-container-title:Sound Studies

Author:

Castanheira José Cláudio S.¹^ORCID,Marra Pedro Silva²,Mazer Dulce³,de Borba Lucas Cássio⁴

Affiliation:

1. Communication, Universidade Federal Fluminense, Niterói, Brazil

2. Comunicação Social, Universidade Federal do Espírito Santo, Vitória, Brazil

3. Communication, Universidade Federal do Rio Grande do Sul, Porto Alegre, Brazil

4. Communication, Universidade do Estado do Rio de Janeiro, Rio de Janeiro, Brazil

Funder

The work was supported by the Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPQ); Fundação Carlos Chagas Filho de Amparo à Pesquisa do Estado do Rio de Janeiro (FAPERJ) and CAPES

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/20551940.2024.2369743

Reference36 articles.

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2. Augoyard, J. F., and H. Torgue. 2005. Sonic Experience: A Guide to Everyday Sounds. London: McGill-Queen’s University Press.

3. Balázs, B. 1970. Theory of the Film: Character and Growth of a New Art. London: Dennis Dobson Ltd.

4. Bazin, A. 2005. What Is Cinema? Vol. 2. Berkeley: University of California Press.

5. Castanheira, J. C. S. 2020. “Studio Sounds: Digital Tools and Technocolonialism.” In Border-Listening/Escucha-Liminal, edited by A. Cárdenas, 106–119. Berlin: Radical Sounds Latin America.