Listening to a Pinter double bill: Mitchell’s direction of <i>Mountain Language</i> and <i>Ashes to Ashes</i> at the Royal Court Theatre-Reference-Cited by-同舟云学术

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Listening to a Pinter double bill: Mitchell’s direction of Mountain Language and Ashes to Ashes at the Royal Court Theatre

Published:2023-01-02 Issue:1 Volume:9 Page:42-63
ISSN:2055-1940
Container-title:Sound Studies
language:en
Short-container-title:Sound Studies

Author:

Yagi Naoko¹²

Affiliation:

1. School of Political Science and Economics, Waseda University, Tokyo, Japan

2. Wolfson College, Cambridge, UK

Publisher

Informa UK Limited

Subject

General Arts and Humanities,Communication,Cultural Studies

Link

https://www.tandfonline.com/doi/pdf/10.1080/20551940.2022.2147330

Reference49 articles.

1. Pinter, politics and postmodernism (2)

2. Ashes to Ashes. 2001. By Harold Pinter. Directed by Katie Mitchell, with sound design by Gareth Fry. Royal Court Theatre Downstairs. Recorded July 2, 2001. CD-R. 1cdr0021029 BD2. British Library.

3. Introduction

4. Billington, Michael. 1996. “Arts: Poet of Darkness—Michael Billington Is Mesmerised by Harold Pinter’s New Play, Ashes to Ashes / The Triumph.” Review of Ashes to Ashes, by Harold Pinter, directed by the author, Royal Court Theatre Upstairs at Ambassadors Theatre. Guardian, September 21, 1996. Gale General OneFile.

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