Pigmentocracy and the performance of whiteness in contemporary photography: Yvonne Venegas’s San Pedro Garza and Dana Lixenberg’s United States
Author:
Affiliation:
1. Communication and Media Studies, Carleton University, Ottawa, Ontario, Canada
Publisher
Informa UK Limited
Subject
Visual Arts and Performing Arts,Communication,Gender Studies
Link
https://www.tandfonline.com/doi/pdf/10.1080/14680777.2022.2098795
Reference16 articles.
1. A phenomenology of whiteness
2. Black Skin/White Masks: The Performative Sustainability of Whiteness (With Apologies to Frantz Fanon)
3. Balibar, Etienne. 2011. “Racism and Clasism.” InRace, Nation, Class Ambiguous Identities.
4. Small Numbers, Great Impact: Mexico and Its Immigrants, 1821–1973
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