Of gaps and scars: a voyage in Tejumola Olaniyan’s performance theories and the throes of postcoloniality

Author:

Oloruntoba-Oju Omotayo1

Affiliation:

1. Adekunle Ajasin University, Akungba-Akoko, Nigeria

Publisher

Informa UK Limited

Reference56 articles.

1. The Origin and Form of the Yoruba Masque Theatre.

2. Adedeji, Joel. “Alarinjo: The Traditional Yoruba Theatre.” Theatre in Africa, edited by Oyin Ogunba and Abiola Irele. Ibadan: Ibadan University Press, 1978, pp. 27–51.

3. English and the Audience of an African Popular Culture: The Case of Nigerian Video Film

4. The Last Officers’ Mess: A Discourse of Trado-Epic Aesthetics and Politics in Oloruntoba-Oju’s Awaiting Trouble;Adeoti Gbemisola.;Ife Studies in African Literature and the Arts,,2010

5. Armstrong-Idachaba, Aduku. “Digital Technology and the Challenges for Nigerian Theatre.” Technical Theatre and the Performing Arts in Nigeria: Celebrating Olateju Wasee Kareem, edited by Duro Oni and Sunday Enessi. Lagos: Centre for Black and African Arts and Civilization, 2011, pp. 242–55.

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