Spaces of engagement – critical aesthetic practice, audience experience and the documentary-like work-Reference-Cited by-同舟云学术

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Spaces of engagement – critical aesthetic practice, audience experience and the documentary-like work

Published:2020-12-07 Issue: Volume: Page:1-17
ISSN:1750-3280
Container-title:Studies in Documentary Film
language:en
Short-container-title:Studies in Documentary Film

Author:

Frankham Bettina¹^ORCID

Affiliation:

1. Faculty of Arts and Social Sciences, University of Technology Sydney, Sydney, Australia

Publisher

Informa UK Limited

Subject

Visual Arts and Performing Arts,Communication

Link

https://www.tandfonline.com/doi/pdf/10.1080/17503280.2020.1854071

Reference33 articles.

1. Arsenault, Karelle, Bettina Frankham, Adrian Miles, and Ersan Ocak. 2016. “The Aesthetics of Documentary Interactivity: A Pamphlet that Emerged from a Curated Panel at Visible Evidence XXII, Toronto, 2015.” In Discussion, edited by Screenworks. http://screenworks.org.uk/wp-content/uploads/2016/09/pamphlet.pdf

2. Dispositifs at Play: Artist’s Moving Image in the Gallery

Cited by 1 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. On the particularities of experience and spectatorship in Véréna Paravel and Lucien Castaing-Taylor’s Commensal as experience and Caniba as story;Studies in Documentary Film;2022-07-25

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