Truth is a “bird of prey”: interpreting the postcolonial dialectic in Agustí Villaronga’s <i>El ventre del mar</i> (2021) with Frantz Fanon-Reference-Cited by-同舟云学术

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Truth is a “bird of prey”: interpreting the postcolonial dialectic in Agustí Villaronga’s El ventre del mar (2021) with Frantz Fanon

Published:2024-04-02 Issue:2 Volume:25 Page:311-330
ISSN:1463-6204
Container-title:Journal of Spanish Cultural Studies
language:en
Short-container-title:Journal of Spanish Cultural Studies

Author:

Ungureanu Camil¹^ORCID

Affiliation:

1. Departament de Ciències Polítiques i Socials, Universitat Pompeu Fabra, Barcelona, Spain

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/14636204.2024.2347666

Reference55 articles.

1. Alhadeff, Albert. 2002. The Raft of the Medusa: Géricault, Art, and Race. London: Prestel.

2. Julian Barnes and the ‘Raft of the Medusa’;Alhadeff Albert.;The French Review,2008

3. Araüna, Núria, and Laia Quílez, eds. 2017. Género y (pos)memorias en el cine documental sobre la Guerra Civil y el franquismo. Granada: Laia.

4. Bachelard Gaston. 1994. Water and Dreams: An Essay on the Imagination of Matter. Translated by Edith R Farrell. Dallas: Dallas Institute of Humanities & Culture.

5. Badiou, Alain. 1993. Rhapsody for the Theatre. London: Verso.

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