It is all about <i>qingnian dianying</i> : Post-independent Chinese cinema, auteurism, and the FIRST International Film Festival-Reference-Cited by-同舟云学术

It is all about qingnian dianying : Post-independent Chinese cinema, auteurism, and the FIRST International Film Festival

Published:2023-11-28 Issue: Volume: Page:1-23
ISSN:1750-8061
Container-title:Journal of Chinese Cinemas
language:en
Short-container-title:Journal of Chinese Cinemas

Author:

Tong Shan¹^ORCID,Ma Ran²^ORCID

Affiliation:

1. School of Theatre, Film and Television, Communication University of China, Beijing, P.R. China

2. Graduate School of Humanities, Nagoya University, Nagoya, Japan

Funder

JSPS KAKENHI

Publisher

Informa UK Limited

Subject

Visual Arts and Performing Arts,Communication

Link

https://www.tandfonline.com/doi/pdf/10.1080/17508061.2023.2286861

Reference52 articles.

1. Berry Chris. 2017. “The Death of Chinese Independent Cinema?” The Asia Dialogue July 3. https://theasiadialogue.com/2017/07/03/the-death-of-chinese-independent-cinema/

2. Summary for Policymakers

3. Plus ça change?: Media Control Under Xi Jinping

4. Cui Yan and Jingjing Zhao. 2021. “Dianyingjie Chuangtou: Xiangmu Peiyu Yu Rencaibihuan [Film Festival Pitching: Project Incubation and Closed-Loop Management of Talents].” Contemporary Cinema (Dangdai Dianying) no. 8: 43–48.

5. Davis Rebecca. 2021. “China Eyes 100 000 Movie Screens and Closer Ties to Cannes: Six Takeaways From Country’s Five-Year Film Plan.” Variety November 16. https://variety.com/2021/film/news/china-cannes-movies-screens-film-plan-1235112965/.

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