Non-Invasive and Spectroscopic Techniques for the Study of Alonso Cano's Visitation from the Golden Age of Spain
Author:
Affiliation:
1. Department of Analytical Chemistry, University of Granada, Granada, Spain
2. Department of Paint and Restoration, University of Granada, Granada, Spain
Funder
Ministerio de Educación y Cultura, Dirección General de Enseñanza Superior
Publisher
Informa UK Limited
Subject
Conservation
Link
https://www.tandfonline.com/doi/pdf/10.1080/00393630.2020.1830528
Reference31 articles.
1. An integrated multi-analytical approach to the study of the dome wall paintings by Correggio in Parma cathedral
2. Pigments and binders in “Madonna col Bambino e S. Giovannino” by Botticelli investigated by micro-Raman and GC/MS
3. Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation
4. Pigment Identification by Spectroscopic Means: Evidence Consistent with the Attribution of the Painting Young Woman Seated at a Virginal to Vermeer
5. Centenario de Alonso Cano en Granada. Cat. Exp. 1969. “Estudios, vol 1.” Granada: Secretariado de Publicaciones de la Universidad de Granada.
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