Trauma, Memory, and the Politics of Mourning in New Albanian Film from Kosovo-Reference-Cited by-同舟云学术

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Trauma, Memory, and the Politics of Mourning in New Albanian Film from Kosovo

Published:2024-07 Issue: Volume: Page:1-21
ISSN:2040-350X
Container-title:Studies in Eastern European Cinema
language:en
Short-container-title:Studies in Eastern European Cinema

Author:

Aleksić Tatjana¹^ORCID

Affiliation:

1. Slavic, Comparative Literature, University of Michigan, Ann Arbor, MI, USA

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/2040350X.2024.2371617

Reference47 articles.

1. Aleksić, Tatjana. 2013. The Sacrificed Body: Balkan Community Building and the Fear of Freedom. Pittsburgh: University of Pittsburgh Press.

2. Arsenijević, Damir. 2013. “Love After Genocide.” In Moments: Eine Geschichte Der Performance in 10 Akten (Moments: A History of Performance in 10 Acts), 472–479. Karlsruhe: Zkm.

3. Athanasiou, Athena. 2017. Agonistic Mourning: Political Dissidence and the Women in Black. Oxford: Oxford UP.

4. Basholli Blerta. 2021. “Hive [Zgjoi].” Ikone Studio Industria Film et al.

5. Barthes, Roland. 1981. Camera Lucida. Trans. Richard Howard. New York: Hill and Wang.

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