The cultural dissonance of sustainable live music

Author:

Røyseng Sigrid1,Vinge John1,Stavrum Heidi2

Affiliation:

1. Department of Music Education and Music Therapy, Norwegian Academy of Music, Oslo, Norway

2. Department of Business and IT, University of South-Eastern Norway, Bø, Norway

Publisher

Informa UK Limited

Reference40 articles.

1. Beljean, Stefan, Phillipa Chong, and Michèle Lamont. 2015. “A Post-Bourdieusian Sociology of Valuation and Evaluation for the Field of Cultural Production.” In Routledge International Handbook of the Sociology of Art and Culture, edited by Laurie Hanquinet and Mike Savage. London: Routledge.

2. Bourdieu, Pierre. 1993. The Field of Cultural Production: Essays on art and Literature. Cambridge: Polity Press.

3. Bourdieu, Pierre. 1996. The Rules of art: Genesis and Structure of the Literary Field, Les règles de l'art. Cambridge: Polity Press.

4. Bourdieu, Pierre. 2011. “The Forms of Capital.” In Cultural theory: An Anthology, edited by Imre Szeman and Timothy Kaposy, 81–93. Malden, Mass.: Wiley-Blackwell.

5. Do music festival communities address environmental sustainability and how? A Scottish case study

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