Loner on wheels as Gaia: Identity, rhetoric, and history in the angry art of Rachel Rosenthal-Reference-Cited by-同舟云学术

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Loner on wheels as Gaia: Identity, rhetoric, and history in the angry art of Rachel Rosenthal

Published:1991-01 Issue:1 Volume:11 Page:35-45
ISSN:1046-2937
Container-title:Text and Performance Quarterly
language:en
Short-container-title:Text and Performance Quarterly

Author:

Hamera Judith

Publisher

Informa UK Limited

Subject

Literature and Literary Theory,Visual Arts and Performing Arts,Communication

Link

http://www.tandfonline.com/doi/pdf/10.1080/10462939109365992

Reference24 articles.

1. Modernism and the Harlem Renaissance

2. Forte, Jeannie Kay. 1986. “Women in Performance Art: Feminism and Postmodernism.”. U of Washington. Diss.

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