An investigation of the photostability of 19th century artists’ cochineal lake pigments using MFT and conventional accelerated ageing tests

Author:

Vitorino Tatiana12ORCID,Picollo Marcello2ORCID,del Hoyo-Meléndez Julio M.3ORCID

Affiliation:

1. DCR and LAQV-REQUIMTE, Faculty of Sciences and Technology, NOVA University of Lisbon, Caparica, Portugal

2. Institute of Applied Physics “Nello Carrara” – National Research Council, IFAC-CNR, Florence, Italy

3. Laboratory of Analysis and Non-Destructive Investigation of Heritage Objects, National Museum in Krakow, Krakow, Poland

Funder

Associazione Italiana di Archeometria

Publisher

Informa UK Limited

Reference35 articles.

1. Pigment Compendium

2. Burnstock A, Lanfear I, Van den Berg KJ, et al. Comparison of the fading and surface deterioration of red lake pigments in six paintings by Vincent van Gogh with artificially aged paint reconstructions. In: Verger I, editor. Preprints of the 14th Triennial Meeting of the ICOM Committee for Conservation; 2005 Sep 12–16; The Hague, NE. London (UK): James and James; 2005. p. 459–466.

3. Impact of medium and ambient environment on the photodegradation of carmine in solution and paints

4. The Russell and Abney Report on the Action of Light on Water Colours

5. Impact of organic binders on the carminic-colorants stability studied by: ATR-FTIR, VIS and colorimetry

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