Conceptualizing ‘Chinese surrealism’ through translation: a case study of the China independent fine arts association’s cultural identity and its translation of surrealism in 1930s-Reference-Cited by-同舟云学术

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Conceptualizing ‘Chinese surrealism’ through translation: a case study of the China independent fine arts association’s cultural identity and its translation of surrealism in 1930s

Published:2024-05-13 Issue:4 Volume:32 Page:722-735
ISSN:0907-676X
Container-title:Perspectives
language:en
Short-container-title:Perspectives

Author:

Chen Qing¹,Pan Hanting²

Affiliation:

1. Department of English, Sun Yat-sen University, Guangzhou, People’s Republic of China

2. Faculty of Arts and Sciences, Beijing Normal University, Zhuhai, People’s Republic of China

Funder

General Project of Humanities and Social Sciences Research of the Chinese Ministry of Education

Art Project of National Social Science Fund of China

Beijing Normal University Introduction of Talent and Research Start-up Fund

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/0907676X.2024.2332433

Reference28 articles.

1. 从批判说到现代绘画的认识: 为答辩晋洒君之质疑而作 [From critical evaluation to a cognition of modern art: For the defense of Jin Sa’s question and ask];Bai S.;Yifeng,1935

2. The Location of Culture

3. 超现实主义宣言 [Manifestoes of surrealism](S. Zhao, Trans.);Breton A.;Yifeng,1935

4. Breton, A. (1962). André Breton: Manifestes du surréalisme [Manifestoes of surrealism]. Jean-Jacques Pauvert éditeur.

5. Manifestoes of Surrealism

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