Making a Difference: Sartorial Practices and Social Order in Eighteenth-Century Sweden

Author:

Alm Mikael

Abstract

This article focuses on the seventy-three essays that were submitted to the Swedish Royal Patriotic Society in 1773, in response to a competition for the best essay on the advantages and disadvantages of a national dress. When presenting their thoughts on the design and realization of a national dress, the authors came to reflect on deeper issues of social order and sartorial culture, describing their views on society and its constituent parts, as well as the trappings of visual appearances. Clothes were an intricate part of the visual culture surrounding early modern social hierarchies; differentiation between groups and individuals were readily visualized through dress. Focusing on the three primary means for visual differentiation identified in the essays — colour, fabrics and forms — this article explores the governing notions of hierarchies in regards to sartorial appearance, and the sartorial practices for making the social order legible in late eighteenth-century Sweden.

Publisher

Edinburgh University Press

Subject

History,General Business, Management and Accounting

Reference61 articles.

1. Swedish national Archives (Riksarkivet), The Patriotic Society's archive, supplement to Proceedings 1774 (PS Proceedings), no. 10.

2. Eva Bergman, Nationella dräkten: En studie kring Gustaf III:s dräktreform 1778 (Stockholm: nordiska museet, 1938), p. 15. Founded in 1766, and placed under royal patronage in 1772, the Society set out to promote domestic industries by way of journals, rewards and competitions such as the one in 1773.

3. MONARCHY, UNIFORM AND THE RISE OF THE FRAC 1760–1830

4. Bergman, Nationella dräkten, pp. 40-48.

5. Bergman, Nationella dräkten, pp. 40-42. Regarding Des Combes, not noted by Bergman, see PS Proceedings, no. 52.

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