The globalization of postcolonial pop music: putting the success of the K-pop industries into theoretical perspectives-Reference-Cited by-同舟云学术

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The globalization of postcolonial pop music: putting the success of the K-pop industries into theoretical perspectives

Published:2023-10-20 Issue:5 Volume:29 Page:1243-1250
ISSN:1360-2381
Container-title:Asia Pacific Business Review
language:en
Short-container-title:Asia Pacific Business Review

Author:

Lopes Paul¹,Oh Ingyu²^ORCID,Pyun Lynn³^ORCID

Affiliation:

1. Department of Sociology, Colgate University, Hamilton, NY, USA

2. School of Business Administration, College of Global Engagement, Kansai Gaidai University, Osaka, Japan

3. Graduate School of International Studies, Ewha Woman’s University, Seoul, Korea

Publisher

Informa UK Limited

Subject

Business and International Management

Link

https://www.tandfonline.com/doi/pdf/10.1080/13602381.2023.2265737

Reference20 articles.

1. Market Structure, the Creative Process, and Popular Culture: Toward an Organizational Reinterpretation of Mass-Culture Theory

2. Hirsch, P. 1969. The Structure of the Popular Music Industry. Ann Arbor: Institute for Social Research, University of Michigan.

3. Hofstede, G. H., G. Hofstede, W. A. Arrindell, and G. H. Hofstede. 1998. Masculinity and Femininity: The Taboo Dimension of National Cultures. Thousand Oaks: Sage.

4. K-pop Innovation

5. Lee, J., and J. Heo. 2012. “Hallyu entertainment sanoep eui seonggong yoin” [Success Factors of the Hallyu Entertainment Industries]. In Proceedings of Korea Human Resource Management Association, 1–32. Gyeongju, Korea.

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