A discursive construction of <i>self</i> in selected songs by Azeez Fashola (aka Naira Marley)-Reference-Cited by-同舟云学术

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A discursive construction of self in selected songs by Azeez Fashola (aka Naira Marley)

Published:2024-06-28 Issue:2 Volume:44 Page:111-119
ISSN:0257-2117
Container-title:South African Journal of African Languages
language:en
Short-container-title:South African Journal of African Languages

Author:

Akinrinlola Temidayo¹^ORCID,Farinde Raifu Olanrewaju²^ORCID

Affiliation:

1. Department of English Studies, McPherson University, Seriki Sotayo, Ogun State, Nigeria

2. Department of English and Literary Studies, Federal University, Oye Ekiti, Nigeria

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/02572117.2024.2344286

Reference58 articles.

1. Youths megrum – naira Marley: an inspiration or source of deterioration to Nigerian youths?;Adebambo G.;Punch Newspaper,2020

2. The musician as archivist: an example of Nigeria’s Lagbaja;Adegoju A.;Itupale – Online Journal of African Studies,2009

3. Adegoke Y. 2020. Rapper naira Marley: a big bum is better than qualifications in Nigeria. https://www.theguardian.com/music/2020/apr/08/rapper-naira-marley-ibig-bum-qualifications-nigeria-marlians

4. Transforming nigerian hip-hop music and dance for educational, moral and socio-cultural relevance;Ajaero P;Aroka Journal of Research in Music and the Arts,2019

5. A sociolinguistic study of Nigerianism in the songs of Bukola Elemide;Ajayi I.;Papers in English and Linguistics,2017

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