The poetics of identity making: precarity and agency in Tahmima Anam’s <i>The Good Muslim</i>-Reference-Cited by-同舟云学术

The poetics of identity making: precarity and agency in Tahmima Anam’s The Good Muslim

Published:2023-12-11 Issue: Volume: Page:1-16
ISSN:1479-7585
Container-title:Journal for Cultural Research
language:en
Short-container-title:Journal for Cultural Research

Author:

Chew Xin Yan¹,Asl Moussa Pourya²

Affiliation:

1. School of Humanities, Universiti Sains Malaysia, Penang, Malaysia

2. Faculty of Humanities, University of Oulu, Oulu, Finland

Publisher

Informa UK Limited

Subject

Anthropology,Cultural Studies

Link

https://www.tandfonline.com/doi/pdf/10.1080/14797585.2023.2291711

Reference40 articles.

1. Gender and performativity in contemporary American novel: A Butlerian reading of Gone Girl by Gillian Flynn;Ahmadi Asl S.;Contemporary Literary and Cultural Studies,2019

2. Negotiating the politics of power: Tahmima Anam’s the Good Muslim and women’s role in war and nation-building;Akhter F.;ASIATIC,2018

3. A Suitable Girl: Willfulness and Militant Femininity

4. Anam, T. (2011). The Good Muslim. Hamish Hamilton.

5. Gender, Resistance, and Identity: Women’s Rewriting of the Self in Chitra Banerjee Divakaruni’s Before We Visit the Goddess

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