Brown gaze and white flesh: exploring ‘moments’ of the single white female in Hindi cinema-Reference-Cited by-同舟云学术

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Brown gaze and white flesh: exploring ‘moments’ of the single white female in Hindi cinema

Published:2016-04-02 Issue:2 Volume:24 Page:164-183
ISSN:0958-4935
Container-title:Contemporary South Asia
language:en
Short-container-title:Contemporary South Asia

Author:

Mubarki Meraj Ahmed

Publisher

Informa UK Limited

Subject

Political Science and International Relations,Development,Geography, Planning and Development

Link

http://www.tandfonline.com/doi/pdf/10.1080/09584935.2016.1195337

Reference117 articles.

1. Advani, N. (Director). 2009.Chandni Chowk to China[Motion Picture].

2. Akhtar, F. (Director). 2011.Don 2[Motion Picture].

3. Ali, I. (Director). 2009.Love aaj Kal/ Love These Days[Motion Picture].

4. Anand, D. (Director). 1993.Pyaar ka tarana/Melody of love[Motion Picture].

5. Anand, S. (Director). 2005.Salaam Namaste[Motion Picture].

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1. Playing it the nation’s way: tradition, cosmopolitanism, and the native-masculine of Hindi sports films;Contemporary South Asia;2023-08-09

2. Chapter 3: Misogyny and Erotic Pleasure in Bollywood’s “Item Numbers”;Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music;2021

3. From Saira to Scouser: The evolving representation of white femininity in popular Hindi cinema;South Asian Popular Culture;2019-09-02

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