Deepfaking the ‘Acceptable Chechen’: Orientalist form and homonationalist worlding in David France’s <i>Welcome to Chechnya</i>-Reference-Cited by-同舟云学术

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Deepfaking the ‘Acceptable Chechen’: Orientalist form and homonationalist worlding in David France’s Welcome to Chechnya

Published:2024-01-02 Issue:1 Volume:18 Page:121-140
ISSN:1750-3132
Container-title:Studies in Russian and Soviet Cinema
language:en
Short-container-title:Studies in Russian and Soviet Cinema

Author:

(yakovlev) misha irek¹^ORCID

Affiliation:

1. Film and Television Studies, School of Creative Arts, Performance and Visual Cultures, University of Warwick, Coventry, England

Funder

University of Warwick

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/17503132.2024.2301784

Reference44 articles.

1. Living a Feminist Life

2. Allenby Leo. 2020a. “Welcome or Unauthorised Entry Prohibited: What’s Wrong with the Film ‘Welcome to Chechnya’? Part 1.” Rubic. https://rubic.us/dobro-pozhalovat-ili-postoronnim-vhod-vospreshhyon-chto-ne-tak-s-filmom-dobro-pozhalovat-v-chechnyu-chast-1/.

3. Allenby Leo. 2020b. “Welcome or Unauthorised Entry Prohibited: What’s Wrong with the Film ‘Welcome to Chechnya’? Part 2.” Rubic. https://rubic.us/dobro-pozhalovat-ili-postoronnim-vhod-vospreshhyon-chto-ne-tak-s-filmom-dobro-pozhalovat-v-chechnyu-chast-2/.

4. On Global Queering;Altman Dennis.;Australian Humanities Review,1996

5. Anderson Tre’vell.2017. “Trans Filmmaker Reina Gossett Accuses ‘The Death and Life of Marsha P. Johnson’ Creator of Stealing Work.” The Los Angeles Times October 09.

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