Strategies of unworlding in Youssef Chahine’s Adieu Bonaparte (1985)

Author:

Ambrósio Garcia Carla1

Affiliation:

1. Independent Scholar, Lisbon, Portugal

Publisher

Informa UK Limited

Reference29 articles.

1. Armbrust, W. 2011. “Political Film in Egypt.” In Film in the Middle East and North Africa: Creative Dissidence, edited by J. Gugler, 228–251. Cairo: The American University in Cairo Press.

2. Arroyo, J., and Hussein. 2021. “The Youssef Chahine Podcast No. 31: An Egyptian Perspective of a New Day”. In Vol. 50 First Impressions: Notes on Films and Culture, edited by J. Arroyo, 40. Podcast. https://notesonfilm1.com/2021/03/13/the-youssef-chahine-podcast-no-31-an-egyptian-perspective-of-a-new-day/.

3. Language and Identity in Modern Egypt

4. Bonnaud F. 2018. “Preface.” Adieu Bonaparte. Heritage Édition DVD booklet.

5. Chahine, Y. 1985. Weda’an Bonapart/Adieu Bonaparte. Egypt/France: Lyric International/Misr International Films/Renn Productions/TF1 Films Production.

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