Foreign Movies and TV Dramas as the Source of Political Argot in an Authoritarian Context: Memes and Creative Resistance in Chinese Social Media-Reference-Cited by-同舟云学术

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Foreign Movies and TV Dramas as the Source of Political Argot in an Authoritarian Context: Memes and Creative Resistance in Chinese Social Media

Published:2023-11-02 Issue:6 Volume:37 Page:69-87
ISSN:0256-0046
Container-title:Critical Arts
language:en
Short-container-title:Critical Arts

Author:

Zheng Qi¹^ORCID,Li Mengqi²

Affiliation:

1. Cheung Kong School of Journalism and Communication, Shantou University, Shantou, People’s Republic of China

2. Department of Communication, Faculty of Humanities and Social Sciences, BNU-HKBU United International College, Zhuhai, People’s Republic of China

Funder

Shantou University

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/02560046.2024.2317453

Reference55 articles.

1. Appadurai, Arjun. 1996. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.

2. The Political Emotion in the “Meme war”;Bi Wengan.;Refeng Xueshu,2020

3. Weaponization of Mandarin Chinese

4. Empowerment through craziness: The German TV series Knallerfrauen and its female viewers in China

5. Cheong, Pauline Hope, and Yashu Chen. 2015. “Memetic Engagement as Middle Path Resistance: Contesting Mainland Chinese Immigration and Social Cohesion.” In Networked China: Global Dynamics of Digital Media and Civic Engagement, edited by W. Chen, and S. Reese, 78–96. New York: Routledge.

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