Phenomenology as an Abortive Science of Art: Two Contexts of Early Phenomenological Aesthetics ( <i>Allgemeine Kunstwissenschaft</i> and <i>GAChN</i> )-Reference-Cited by-同舟云学术

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Phenomenology as an Abortive Science of Art: Two Contexts of Early Phenomenological Aesthetics ( Allgemeine Kunstwissenschaft and GAChN )

Published:2023-07-03 Issue:2 Volume:10 Page:109-125
ISSN:2053-9320
Container-title:Journal of Aesthetics and Phenomenology
language:en
Short-container-title:Journal of Aesthetics and Phenomenology

Author:

Flack Patrick¹^ORCID

Affiliation:

1. Department of Philosophy, University of Fribourg, Switzerland

Publisher

Informa UK Limited

Subject

Philosophy

Link

https://www.tandfonline.com/doi/pdf/10.1080/20539320.2023.2267910

Reference49 articles.

1. Alloa, E., and A. Jdey. Du sensible à l’œuvre: Esthétiques de Merleau-Ponty. Bruxelles: La Lettre volée, 2012.

2. Angelucci, D. L’oggetto poetico: Conrad, Ingarden, Hartmann. Macerata: Quodlibet, 2004.

3. Angelucci, D. “Waldemar Conrad (1878–1915).” In Handbook of Phenomenological Aesthetics, edited by H.R. Sepp and L. Embree, 53–56. Berlin: Springer, 2010.

4. What Is the Object of Art?

5. Brod, M. Streitbares Leben. München: Kindler, 1960.

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