DIY Music and Contemporary Art Spaces: Centre for Contemporary Arts, Transmission and the Art-Music Nexus in Glasgow

Author:

Chrysagis Evangelos1ORCID

Affiliation:

1. Independent Scholar, Edinburgh, UK

Publisher

Informa UK Limited

Subject

Music

Reference37 articles.

1. Abbott, Andy. 2008. “Forever Young: Self-Organisation in Music, Art and the Institution.” In Moot Points: Exercises in Self-Organisation, Discourse and Collaboration, 13–22. Glasgow: Transmission Gallery.

2. Bawin, Julie. 2019. “The Artist-Curator, or the Philosophy of ‘Do-It-Yourself’.” In Curating Live Arts: Critical Perspectives, Essays, and Conversations in Theory and Practice, edited by Dena Davida, Marc Pronovost, Véronique Hudon, and Jane Gabriels, 141–146. Oxford: Berghahn.

3. Berry, Simon, and Hamish Whyte, eds. 1987. Glasgow Observed. Edinburgh: John Donald.

4. Bianchini, Franco. 1993. “Remaking European Cities: The Role of Cultural Policies.” In Cultural Policy and Urban Regeneration: The West European Experience, edited by Franco Bianchini, and Michael Parkinson, 1–20. Manchester: Manchester University Press.

5. Booth, Peter, and Robin Boyle. 1993. “See Glasgow, See Culture.” In Cultural Policy and Urban Regeneration: The West European Experience, edited by Franco Bianchini, and Michael Parkinson, 21–47. Manchester: Manchester University Press.

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