When the cannons roar, comics panels fall silent: on silent representations of traumatic events in Israeli comics and graphic novels-Reference-Cited by-同舟云学术

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When the cannons roar, comics panels fall silent: on silent representations of traumatic events in Israeli comics and graphic novels

Published:2022-03-31 Issue:5 Volume:37 Page:442-460
ISSN:1472-586X
Container-title:Visual Studies
language:en
Short-container-title:Visual Studies

Author:

Adler Silvia^ORCID,Kohn Ayelet

Publisher

Informa UK Limited

Subject

Visual Arts and Performing Arts,Anthropology,Cultural Studies

Link

https://www.tandfonline.com/doi/pdf/10.1080/1472586X.2022.2054466

Reference62 articles.

1. Folman, Ari, and David Polonsky. 2009.“Waltz with Bashir.”Tel Aviv: Kinneret Zmora-Bitan.

2. Hanuka, Asaf. 2017.“The realist.”Tel Aviv: Pardes Publishing House.

3. Seliktar, Galit, and Gilad Seliktar. 2009.“Farm 54.”Tel Aviv: The Third Ear – Comics.

4. Seliktar, Gilad. 2017.“Tsav 8.”Tel Aviv: Sifriat Hapoalim Press.

5. Shoval, Elad, and Dotan Goldwaser. 2014.“In Battle and Captivity: A Graphic Memoir of the Yom Kippur war – the story of Yitzhak Nagarker.”Tel Aviv: Am Oved.

Cited by 1 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. Harnessing comics as minoritarian interventions in the representation of conflicts and their everyday: the case of Vanni and Welcome to the New World;Social Semiotics;2024-08-19

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