Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s <i>The Big Mirror</i>-Reference-Cited by-同舟云学术

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Female (Mis)representation in Moroccan Male-Authored Postcolonial Literature: The Madwoman Trope in Mohamed Mrabet’s The Big Mirror

Published:2024-03-17 Issue: Volume: Page:1-12
ISSN:0011-1619
Container-title:Critique: Studies in Contemporary Fiction
language:en
Short-container-title:Critique: Studies in Contemporary Fiction

Author:

Ait Bbih Meriem¹,Barhoun Brahim²

Affiliation:

1. Faculty of Letters and Human Sciences’ Linguistic, Literary, Cultural and Interdisciplinary Studies Research Lab, Abdelmalek Essaadi University, Tétouan, Morocco

2. Department of English Language and Literature, Abdelmalek Essaadi University, Tétouan, Morocco

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/00111619.2024.2331154

Reference38 articles.

1. Mrabet, Mohamed. The Big Mirror. Translated by Paul Bowles. Library of Congress, 1977.

2. Mothers and Daughters in Arab Women's Literature

3. Accad, Evelyne. “Sexuality and Sexual Politics: Conflicts and Contradictions for Contemporary Women in the Middle East.” Third World Women and the Politics of Feminism, Indiana UP, 1991, pp. 237–250.

4. Madwomen’ Voices in Two Arab Women Authors’ Short Stories: ‘Fury’ and ‘From Mare to Mouse’;Alshammari Shahd.;International Journal of English Research,2020

5. Birla, Ritu. “Postcolonial Studies: Now That’s History.” Can the Subaltern Speak? Reflections on the History of an Idea. Edited by Rosalind C. Morris, Columbia UP, 2010.

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