‘Artists not tourists’: ethical tensions between creative mobility and migration

Author:

Barry Kaya1ORCID

Affiliation:

1. Griffith Centre for Social and Cultural Research, Griffith University, Meanjin-Brisbane, Australia

Funder

Australian Research Council

Publisher

Informa UK Limited

Subject

Urban Studies,Transportation,Geography, Planning and Development

Reference29 articles.

1. Adey, P. 2006. “‘Divided We move’: Dromologics of Airport Security and Surveillance.” In Surveillance and Security, edited by T. Monahan, 195–208, London: Routledge.

2. Salvaging hope: Representing the objects of Mediterranean migration

3. Art and materiality in the global refugee crisis: Ai Weiwei’s artworks and the emerging aesthetics of mobilities

4. An agenda for creative practice in the new mobilities paradigm

5. Butler, C., and G. Filipska. 2020. “The S Project.” In Walking Bodies, edited by H. Billinghurst, C. Hind, and P. Smith, 186–192. Axminster, UK: Triarchy Press.

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