1. Asnes A. R. B. Benz C. Patrick R. Kramberg and T. Patrick. 1998. Dancemaker directed by Matthew Diamond performances by. Paul Taylor and Ted Thomas Four Oaks Foundation
2. Alcoff, L. 2015. Visible Identities: Race Gender and the Self. Oxford: Oxford University Press.
3. Anzaldúa, G. 2012. Borderlands/La Frontera. San Francisco: Aunt Lute.
4. THE BLACKNESS OF SUGAR: CELIA CRUZ AND THE PERFORMANCE OF (TRANS)NATIONALISM
5. Critchley, S. 2004. “Is There a Normative Deficit in the Theory of Hegemony?” In Laclau: A Critical Reader, edited by S. Critchley and O. Marchart, 113–122. New York: Routledge.