The invisible divine in the history of art. Is Erwin Panofsky (1892–1968) still relevant for decoding Christian iconography?-Reference-Cited by-同舟云学术

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The invisible divine in the history of art. Is Erwin Panofsky (1892–1968) still relevant for decoding Christian iconography?

Published:2024-01-02 Issue:1 Volume:9 Page:1-36
ISSN:2375-3234
Container-title:Church, Communication and Culture
language:en
Short-container-title:Church, Communication and Culture

Author:

Bühren Ralf van¹^ORCID,Jasiński Maciej Jan¹^ORCID

Affiliation:

1. School of Church Communications, Pontificia Università della Santa Croce, Rome, Italy

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/23753234.2024.2322546

Reference147 articles.

1. Alberti, Leon Battista. 2011. On Painting. A New Translation and Critical Edition. Edited and translated by Rocco Sinisgalli. New York: Cambridge University Press.

2. Antunes Joana Filipa Fonseca. 2023. “Iconography.” Course at the Faculty of Arts and Humanities 2023–2024." Universidade de Coimbra. https://apps.uc.pt/courses/EN/unit/80707/15641/2023-2024?type=ram&id=5441.

3. Message to Artists at the Conclusion of the Second Vatican Council;A vous tous;Acta Apostolicae Sedis,1965

4. Balthasar, Hans Urs von. 1965. “Christliche Kunst und Verkündigung.” In Die Grundlagen heilsgeschichtlicher Dogmatik, edited by Johannes Feiner and Magnus Löhrer, 708–726. Vol. 1 of Mysterium salutis. Grundriß heilsgeschichtlicher Dogmatik. Einsiedeln: Benziger.

5. Barral i Altet, Xavier. 2003. “Le vetrate medievali.” In Vetrate Medievali in Europa, edited by Xavier Barral i Altet, 11–34. Milano: Jaca Book.

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