‘They all know which way the wind is blowing, which way the money is flowing’: museum actors’ perspectives on involvement in protection of cultural heritage in armed conflict

Author:

Christensen Marie Elisabeth Berg1

Affiliation:

1. Department of Cross-Cultural and Regional Studies, Kobenhavns Universitet, Kobenhavn, Denmark

Funder

The New Carlsberg Foundation’s Research Initiative

Publisher

Informa UK Limited

Reference46 articles.

1. Safeguarding and the 1954 Hague Convention for the Protection of Cultural Property:

2. Barakat, S. 2010a. “Introduction: Post-War Reconstruction and Development – Coming of Age.” In After the Conflict: Reconstruction and Development in the Aftermath of War, edited by S. Barakat, 7–31. London and New York: I.D. Tauris.

3. Barakat, S. 2010b. “Sevel Pillars for Post-War Reconstruction.” In After the Conflict: Reconstruction and Development in the Aftermath of War, edited by S. Barakat, 249–270. London and New York: I.D. Tauris.

4. Necessary conditions for integrated approaches to the post-conflict recovery of cultural heritage in the Arab World

5. The use of snowball sampling for multi source organizational research: Some cause for concern

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1. Threat assessments and heritage in the age of hybrid warfare;International Journal of Heritage Studies;2024-08-29

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