Original live music venues in hyper-commercialised nightlife precincts: exploring how venue owners and managers navigate cultural, commercial and regulatory forces-Reference-Cited by-同舟云学术

Original live music venues in hyper-commercialised nightlife precincts: exploring how venue owners and managers navigate cultural, commercial and regulatory forces

Published:2020-10-22 Issue:5 Volume:27 Page:621-635
ISSN:1028-6632
Container-title:International Journal of Cultural Policy
language:en
Short-container-title:International Journal of Cultural Policy

Author:

Carah Nicholas¹^ORCID,Regan Scott²^ORCID,Goold Lachlan³^ORCID,Rangiah Lillian¹,Miller Peter⁴^ORCID,Ferris Jason⁵^ORCID

Affiliation:

1. School of Communication and Arts, The University of Queensland, Brisbane, Queensland, Australia

2. School of Creative Practice, Queensland University of Technology, Brisbane, Queensland, Australia

3. School of Creative Industries, University of the Sunshine Coast, Sippy Downs, Queensland, Australia

4. School of Psychology, Deakin University, Geelong, Victoria, Australia

5. Centre of Health Services Research, The University of Queensland, Brisbane, Queensland, Australia

Funder

Australian Research Council

Foundation for Alcohol Research and Education

Lives Lived Well

Department of Premier and Cabinet, Queensland

Australian Rechabites Foundation

Publisher

Informa UK Limited

Subject

Sociology and Political Science,Cultural Studies

Link

https://www.tandfonline.com/doi/pdf/10.1080/10286632.2020.1830979

Reference34 articles.

1. Towards an ideal typical live music city

2. A state of constant prodding: live music, precarity and regulation

3. Cultural value and cultural policy: some evidence from the world of live music

4. Live Concert Performance: An Ecological Approach

5. Music Scenes

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