Cultural policy between television and digital platforms: the case of SVOD regulation in Australia

Author:

Lobato Ramon1ORCID,Douglas James1ORCID,Scarlata Alexa1ORCID,Cunningham Stuart2ORCID

Affiliation:

1. ADM+S Centre, School of Media and Communication, RMIT University, Melbourne, Australia

2. Faculty of Creative Industries, Education & Social Justice, QUT University, Brisbane, Australia

Funder

Australian Research Council

Publisher

Informa UK Limited

Subject

Sociology and Political Science,Cultural Studies

Reference59 articles.

1. ACCC. 2019. “Digital Platforms Inquiry – Final Report.” June. https://www.accc.gov.au/system/files/Digital%20platforms%20inquiry%20-%20final%20report.pdf.

2. ACMA and Screen Australia. 2020. “Supporting Australian Stories on Our Screens.” Options Paper April 2020. https://www.infrastructure.gov.au/sites/default/files/documents/supporting-australian-stories-on-our-screens-options-paper.pdf.

3. Ampere Analysis. 2020. “Australia TV 2.0: Strategies for Entertainment & Sport.” Webinar August 4.

4. Appleton G. 1988. “How Australia Sees Itself: The Role of Commercial Television.” In The Price of Being Australian Conference Report Sydney August 31–September 1 1987 190–246. Sydney: Australian Broadcasting Tribunal.

5. Australian Government. 2012. “Convergence Review: Final Report.” Communications and the Digital Economy. Canberra: Department of Broadband, March. https://apo.org.au/sites/default/files/resource-files/2012-04/apo-nid29219_5.pdf

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