What sociologists learn from music: identity, music-making, and the sociological imagination
Author:
Affiliation:
1. School of Social and Political Sciences, University of Glasgow, Glasgow, UK
Publisher
Informa UK Limited
Subject
Arts and Humanities (miscellaneous),Anthropology,Cultural Studies
Link
https://www.tandfonline.com/doi/pdf/10.1080/1070289X.2023.2268969
Reference44 articles.
1. Theodor Adorno on Jazz: A critique of critical theory
2. Adorno, T. 1991. The Culture Industry. London, UK: Routledge.
3. Back L. 2020. “Singing Sociologists” [Online]. The Sociological Review Magazine . Accessed August 7th 2023. https://doi.org/10.51428/tsr.cbip4047
4. Barna, E. 2017. “A Translocal Music Room of One’s Own: Female Musicians with Budapest Lo-Fi Music Scene.” In Made in Hungary: Studies in Popular Music, edited by Barna and Tófalvy, 47–58. London & New York: Routledge. https://www.routledge.com/Made-in-Hungary-Studies-in-Popular-Music/Barna-Tofalvy/p/book/9780367873301.
5. Becker Howard, S. 1963. Outsiders: Studies in the Sociology of Deviance. New York, US: The Free Press.
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