JichiDance Structure, Gender and Sexuality

Author:

Ngara Renias1

Affiliation:

1. University of Fort Hare, Alice 5700, Eastern Cape, South Africa

Publisher

Kamla Raj Enterprises

Reference22 articles.

1. Babiracki CM 2008. What’s the difference? In: Gregory F Barz, Timothy J Cooley (Eds.):Shadows inthe Field: New Perspectives for Fieldwork in Eth-nomusicology. Oxford: University Press, pp. 167–182.

2. Barz GF, Cooley TJ (Eds.) 2008.Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicolo-gy. New York: Oxford University Press, pp. 3-24.

3. Bohlman PV 2008. Returning to the ethnomusicological past. In: Gregory F Barz, Timothy J Cooley (Eds.):Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology. New York: Oxford University Press, pp. 246-270.

4. Briscoe JR 2000. Women composers: Music through the ages by Martha Furman Schleifer, Sylvia Glick-man.Notes, Second Series, 56: 1014–1023.

5. Cottingham MD 2014. Recruiting men, constructing manhood: How health care organizations mobilize masculinities as nursing recruitment strategy.Gender and Society, 28: 133–156.

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