Form and Meaning in Music: Revisiting the Affective Character of the Major and Minor Modes-Reference-Cited by-同舟云学术

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Form and Meaning in Music: Revisiting the Affective Character of the Major and Minor Modes

Published:2018-10-02 Issue:3-4 Volume:1 Page:229-247
ISSN:2574-2442
Container-title:Auditory Perception & Cognition
language:en
Short-container-title:Auditory Perception & Cognition

Author:

Justus Timothy¹,Gabriel Laura¹,Pfaff Adela¹

Affiliation:

1. Psychology and Cognitive Science Field Groups, Pitzer College, Claremont, CA, USA

Funder

Pitzer College faculty research funding

Helen R. Trilling P’16 Psychology Research Internship

annual meetings of the Psychonomic Society

Association for Psychological Science

Publisher

Informa UK Limited

Link

https://www.tandfonline.com/doi/pdf/10.1080/25742442.2019.1597578

Reference73 articles.

1. Recognition of emotion in Japanese, Western, and Hindustani music by Japanese listeners1

2. A Joint Prosodic Origin of Language and Music

3. Musical Scales and Evaluations of Happiness and Awkwardness: Effects of Pitch, Direction, and Scale Mode

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1. Post modernist critical spirit: its cultural influence and impact on music and schools of thought;Trans/Form/Ação;2024

2. Prediction errors arising from switches between major and minor modes in music: An fMRI study;Brain and Cognition;2023-07

3. The sound of timbre reigns: Auditory sequence discrimination in 3–5-year-old children;Auditory Perception & Cognition;2023-04-24

4. The Contrast Principle, Typicality, and Cultural Longevity in 19th-Century Symphony Slow Movements: A Corpus Analysis;Music & Science;2023-01

5. Do Picardy Thirds Smile? Tonal Hierarchy and Tonal Valence;Music Perception;2022-06-01

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