Shifting sands of the past and the present in drama of the New South Africa: Neil Coppen’s Tin Bucket Drum and Nadia Davids’ What Remains
Author:
Affiliation:
1. Tshwane University of Technology, Pretoria, South Africa
2. University of Botswana, Gaborone, Botswana
Publisher
Informa UK Limited
Link
https://www.tandfonline.com/doi/pdf/10.1080/10137548.2024.2354189
Reference25 articles.
1. Balme, C.B., 1996. The performance aesthetics of township theatre: frames and codes. In: G.V. Davis and A. Fuchs, eds. Theatre and change in South Africa. Amsterdam: Harwood Publishers, 65–84.
2. Balme, C.B., 1999. Decolonizing the stage: theatrical syncretism and postcolonial drama. Oxford: Oxford University Press.
3. Barber K. 2001. Cultural Reconstruction in the New South Africa. African Studies Review 44 (2) 177–185.
4. Coplan, D., 1985. In township tonight! South Africa’s Black City Music and Theatre. London: Addison-Wesley Longman.
5. Coppen, N., 2016. Tin bucket drum. Johannesburg: Wits University Press.
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