Aesthetic distance as deus ex machina when the performer’s trauma is (not quite/quiet)-Reference-Cited by-同舟云学术

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Aesthetic distance as deus ex machina when the performer’s trauma is (not quite/quiet)

Published:2022-09-02 Issue:3 Volume:35 Page:179-194
ISSN:1013-7548
Container-title:South African Theatre Journal
language:en
Short-container-title:South African Theatre Journal

Author:

Ngcobo Balindile¹^ORCID

Affiliation:

1. Centre for Theatre, Dance and Performance Studies, University of Cape Town, Cape Town, South Africa

Funder

Andrew W. Mellon Foundation

Publisher

Informa UK Limited

Subject

Visual Arts and Performing Arts

Link

https://www.tandfonline.com/doi/pdf/10.1080/10137548.2023.2241463

Reference61 articles.

1. Antigone (not quite/quiet|RETAGS productions. 2020. Ninganiki Okungcwele Ezinjeni. About. [online] Available at: https://retags100.wixsite.com/retagsproductions/antigone-not-quite-quiet-1 [Accessed 26 May 2021].

2. Stereotypes and Human Rights Law

3. Measuring Compassion Fatigue

4. Britannica, The Editors of Encyclopaedia. 1999. Aesthetic distance. Encyclopaedia Britannica, Available at: https://www.britannica.com/art/aesthetic-distance. [Accessed 29 August 2021].

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