The culture industry and Beyoncé’s proprietary blackness-Reference-Cited by-同舟云学术

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The culture industry and Beyoncé’s proprietary blackness

Published:2016-07-02 Issue:3 Volume:7 Page:421-424
ISSN:1939-2397
Container-title:Celebrity Studies
language:en
Short-container-title:Celebrity Studies

Author:

Arzumanova Inna

Publisher

Informa UK Limited

Subject

Cultural Studies

Link

http://www.tandfonline.com/doi/pdf/10.1080/19392397.2016.1203613

Reference12 articles.

1. “Check On It”

Cited by 8 articles. 订阅此论文施引文献订阅此论文施引文献，注册后可以免费订阅5篇论文的施引文献，订阅后可以查看论文全部施引文献

1. “I ain't sorry”: African American English as a strategic resource in Beyoncé’s performative persona;Language & Communication;2020-05

2. How to get away with authenticity: Viola Davis and the intersections of Blackness, naturalness, femininity and relatability;Celebrity Studies;2019-06-23

3. I Ain’t Sorry: Beyoncé, Serena, and Hegemonic Hierarchies in Lemonade;Popular Music and Society;2018-12-24

4. Fierce, Fabulous, and In/Famous: Beyoncé as Black Diva;Popular Music and Society;2018-12-12

5. In/visibly different: Melania Trump and the othering of Eastern European women in US culture;Feminist Media Studies;2018-12-06

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