Interrogating machoism, male celebrity rivalry and digital fandom practices in Nigerian Hip Hop

Author:

Onanuga Paul Ayodele1

Affiliation:

1. Department of English and Literary Studies, Federal University Oye-Ekiti, Oye-Ekiti, Nigeria

Publisher

Informa UK Limited

Reference40 articles.

1. I am hated, therefore I am: The Enemy in Yorùbá Imaginary

2. Adeniji A. 2020. The Rise of Stan Culture in Afrobeats. Okayafrica. July 16 2020. Retrieved on 5th January 2022. Available from: https://www.okayafrica.com/the-rise-of-stan-culture-in-afrobeats-wizkid-fc/

3. Ajayi, D.O., 2021. Verbal Battling and Yorùbá Cultural Identity in Sunny Adé’s Music. In: M. Ademilokun, P.A. Onanuga, F. Oamen, and B. Alfred eds. Critical Discourse Analysis and the Linguistics of Social Media Interaction: Essays in Honour of Rotimi Taiwo. Ibadan: College Press, 321–337.

4. Pragmatic Function(s) of Pronouns and Pronominals in Nigerian Hip Hop Music

5. Avorgbedor, D., 1990. The preservation, transmission and realization of song texts. In: I. Okpewho, ed. The Oral Performance in Africa. Ibadan, Nigeria: Spectrum Books, 208–227.

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